Tuesday, January 24, 2006

Excerpt from winged Tale #4 - the unseen world


Adults, unlike children did not see the fairies. Despite that the fairies did have a little something to do with their lives. Very often an adult shakes their head wondering why a lost object has just reappeared even though they'd looked for it right there many times before. Or a knot in the knitting yarn seemingly impossible to unknot becomes undone almost on it's own. All the little things that cannot be explained away, that is the work of the unseen little people. They might be mischievous too and play little trick, turn the tap on a little as you walk away. Nothing really nasty, just mischief. There are rules the unseen world lives by, for instance horrible things are ever done to good people. Mischief is what monsters and gremlins are for. They don't exist in the adult world, in part because adults do not want to believe in them, and besides that because they are helped to forget. That's what fairy dust is for, to make the adults forget. Why is that? Why do adults need to forget and children don't?

Adults don't believe in fairies because they would ridicule each other for believing in them. Some might even be hunting down the fairies for research and put them in little cages in laboratories like they do with mice. Just a lot less complicated and safe for the fairie if adults do not believe in them. Children on the other hand, should believe in them, often a lonely child has only the little persons in the unseen world for friendship. The fairies just love children, fairies are very much like children themselves, always playing and taking delight in games and observing the natural world.

In the valley the only adult able to see the little unseen people was Big Slow Fred, to him they were very real, and the children soon learned they could talk to him about their small unseen friends and be believed. /sometimes Big slow Fred would even invite some of the kids to watch the goose races at his house with fairies mounted on the big fluffy geese and pixies urging them on. The fairies trusted Big Slow Fred and if he brought the children around they knew those were good children and could be trusted not to try and harm them. Occasionally a particularly nasty child had tried to harm the fairies by throwing rocks at them. the fairies with their magical quickness always got out of the way, but the geese might get hurt. Big Slow Fred would remind them that the gremlins would get them when they found out what a nasty little child he or she had been. Mostly the children in the valley were very good children, but it happened sometimes that a child did something nasty. Even here in the valley.

-- it's a start, slow week, running on an hour of sunlight

Monday, January 23, 2006

Enchanted Cork Oak

This tree has some magic about it,
the bark used to seal wine bottles
since ancient times. The tree
isn't harmed in the process, and the
bark grows back. It's just so
beautiful, its curves and foliage.
More pics on:
copyright Monika Roleff 2006.

Wednesday, January 18, 2006

The Death of Leaning Birches & Company

I've always been fascinated by Birch Trees. So here, in my own way is a tribute to them. This is an older story of mine, but one of my favorites and if you read on you will see some artwork by our very own very talented Heather Blakey...enjoy

I'm from a town called Leaning Birches; it grew up seemingly overnight around a single mining a camp.

Like any other town there’s a church, a saloon a school, a jail and shanties. There were houses on the ridges and even a cemetery. A train comes through now and then to take away the gold, sometimes the dead and it brings supplies too.

In the town of Leaning Birches men have wasted away to nothing working in the mines, they don't think about food or drink or even women when they hit those veins. No one there can remember their life before the mines, it just isn’t as important as what is under their feet.

In Leaning Birches in one way or another the Mines have claimed or spawned what's now above ground.

Once I was lost in the Mines, it was only for a little while though. I'm not sure why but I took my time walking through the darkness to the entrance. I thought I saw Miners down there, laboring, fighting, working, dieing. Only they where nothing more then shadows and whispers.

Ghosts I suppose.

Along my way I also saw carvings on the walls, in parts of the caves the miners had ventured into and then abandoned. The figure was always the same, a woman with arrows clutched in her hands. Corpses at her feet and a sly smile painted across her lips. She had no eyes and a veil of long black hair. Sometimes the figure was painted and sometimes carved. Sometimes it was life sized and at other times she was no bigger then the palm of my hand.

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image courtesy of Heather Blakey

I don't know how long I walked before I found my way out; I walked towards vaporous figures that became more solid as I approached. Their voice became solid and real too, not whispers or hints of sound.

" Christ almighty, " one said as I approached " what the hell is down there? "

" Rats, " another answered " dead rats and they must be waist deep in that one enclave, I ain't going in there again the smell is God awful "

" You're sure Amory? They were all dead? How can that be? We were just down there yesterday and everything was fine."

" Listen Del, I’m telling you that cave is full of them. They all went recent too, they're still, you know, fresh"

The voices retreated, and now I stood near the entrance, I placed my hand against the hall and my fingers danced...like spiders when they spin a web and when I took my hand away the woman with the arrows in her hands was there.

And now, so was I.

I crossed the threshold and I was topside. The town was very much alive, but I saw the shadows everywhere.

These shadows weren't shadows cast from the Sun, they were cast from the darkness and they moved liked predators stalking prey. They slid up and crossed the faces of men, women, children, livestock and they nested there.

As the shadows become darker the figures under them seemed to fade until nothing was left.

Sometimes they saw me through the Shadows. I saw traces of their faces and I also saw their fear, I saw their anger, I saw their regret. And sometimes I saw relief. They died very quickly.

The road to the cemetery was traveled almost hourly now, sometimes even at night. Later, when they all became sick the entire town turned into a cemetery and the dead were left to rest where they fell.

The town of Leaning Birches simply shut its eyes one evening just before sunset and drew one last long rattling breath and stopped.

It was done in less then 3 days.

That's how the town of Leaning Birches died. It was murdered by my hand and what I brought from the Mines with me. It was a Black Death that consumed them all. When I was done I retreated back to the mines.

I'm still down here, wandering the tunnels carved by the Miners and I still make my little drawings. Sometimes animal ventures in and I take it, sometimes it ventures back out alone and sometimes I go with it.

My little town is famous I've learned. There's a legend that over 500 souls disappeared from it without a trace over one night. The story says a surveyor came up and found food set out on tables, half filled glasses in the saloon. Money on the counter at the bank. He made it sound like all those people and their animals just got up and walked away into the hills.

Of course he lied, I know because I was there. As it would happen because I claim what is mine...no matter how far I have to travel, I found him years later in another country at another mine and I saw the look of regret on his face in the last few minutes of his life.

I didn't begrudge him his tall tale. He shouldn’t have and you shouldn't either.

He did come to the town and he sat on his horse on the ridge above the town and looked down into the ruins I had created. Bodies littered the street, the smell and silence and ugliness seemed to reach up from below and grab him by his throat.

The horseman didn't see the corpse of a ruined town; his mind simply refused to see it. I think he saw one corpse in that valley. Not, buildings or bodies or decay. A single ruined corpse.

"Somebody killed this town,” he said to himself " as surely as if they put a rifle to it's head and pulled the trigger."

Then he felt me. His hand went to the back of his neck and he saw the hairs standing up on his arms on that hot summer day. He nearly fell off his horse as he felt me approach from the bluff below. His mind slammed a door shut so hard in his own head that even I heard it.

Then I was next to him.

He couldn't see me, but he felt me. His head snapped from left to right, he turned in his saddle and his eyes were bright, defiant. I admired him very much. Which is why I didn't take him that day.

Then his horse reared and threw him to the ground. " Not here, Jesus Not here...Christ those poor people...God, God in the streets like runned over dogs...God..." he was saying from the ground. He was on all fours for a moment and then he was on his feet and his horse tried to gallop away, but I put my hand on it and it screamed in terror and stood still. It's eyes rolled and its sides heaved but it would not move past me.

I'm not sure who showed him Mercy that day but when he looked back down into the town he really saw the tale he told all those years later. He didn't see death and decay. He saw nothing except dust and empty buildings.

The town was completely abandoned by the world once it heard about the sickness there. That tale didn't come from the horseman, it came from a woman who escaped my attention entirely and I'm not sure to this day how she managed that.

So the world never came back, my presence you see...after all of this time you can feel it. You can see it in the trees and grass that don't seem to be as green and alive as the trees and grasses that grow on the opposite side of the river. The air here is still fetid and dank.

The way it is in the mines.

Still, the explores come. They try to stand in the places where buildings once stood and never seem to venture very far down what was once the main street. They don't go to the cemetery because, they tell each other, it's flat and there's nothing to see. They don't even realize it is a cemetery as all the markers were wood and when the Blackness came for them the Miners and townspeople stopped using markers at all.

But there's plenty to hear and if you can't hear it you can feel it.

That cemetery is never quiet and nothing sleeps up there. Sometimes hikers happen by and so do the hunters and the lost. But nothing stays here. The wind won't even travel these streets and sunlight doesn't come any closer then it has too.

But I walk these hills and valleys and sometimes I travel far away from this place.

But I'm from this valley and from these Mines and I am always here; I will always be here.

Waiting.

Monday, January 16, 2006

Silver Birch and Friends


copyright Monika Roleff 2006.

Sunday, January 15, 2006

Memories of Birches

This morning I woke early and went for a walk in the Enchanted Grove. The air was crisp and cool. Animals were still huddled in their nests and dens keeping each other warm. But I wanted to see the trees. The trees which reminded me of another life in the way northern lands. The Birches.

They are like soldiers in the woods, standing tall with their crisp white uniforms. Their bodies lined with slashes of browns and blacks as to denote their ranking. Their side arms made of thin leaves which often rustle in the wind. Their helmets the greens and yellows of their foliage. They fall to attention as I wander amongst them. Not daring to show me their aliveness, they stand proud as if to guard our Manor and Magical Places.

I look toward the Faraway Tree and wonder if there are lands above it where birches are as lively as the sprites which in habit this woods. Whatever would they say if they could talk? I could imagine them dancing – the hambo no doubt, light on their feet and always with the beat. Such good dancers these fine trees would be. I wished I had worn my dancing shoes just in case.

Sunday, January 08, 2006

Wandering - Canna Lily Forest



A diversion from the picnic in
the Enchanted Wood takes
me to a kind of grove of
Canna Lilies that are
human tall. It feels like
they are alive, fresh
from a sprinkling of rain,
in the humidity of the
morning...
copyright Monika Roleff 2006.

Happy Birthday Aletta!

carved flower.jpg

I found this flower somewhere in the Roman Forum.

Friday, January 06, 2006

Midnight Seeds



I came to the Enchanted Grove with the Shadows.

I’ve brought a present for this place.

Look here….

In my hand I hold these seeds.

I robbed them from Corpses and Witches, Ghouls and Ghosts. I’ve sailed cursed ships and traveled through airless catacombs to find them.

They are mine and I’ve traveled to dark, dark places to find them…to bring back each one.

It wouldn’t be fun to keep them all to myself. I’ve brought them back here to share.

I’ve come a long way to share them all.

The Nightshade and Wolfsbane, Mandrake and Thistles and Weeds. The inspire me, they speak to me they are beautiful to me. I want to make them all live. Each and every one of them.



I wonder, was it you that saw me last night?

Were you the one that stood behind that tree with your notebook clenched in your hand, your eyes opened wide in terror, horror and revulsion as you saw me for what I am? Were you the one that wanted to scream and runaway but just…didn’t?

Were you the one that watched as I did my Midnight Gardening?

Did you see me on my knees, digging into the earth with my bare hands, laughing as I dropped each rotted seed down into the dark wet soil?

I wonder what you did when you saw me lean down and kiss the Dark Earth. I wonder what you felt when I looked up and you were positive I saw you.

Well, I did.

After my seeds sprout and grow and reach up to the dark, dark night sky I’ll be back to harvest them…and I’ll tell you their secrets.

Because that’s what I do.

And that’s what you want, but it will be our little secret.

I like Secrets after all…especially the Dark Ones.

Anita Marie's Garden....Enter if you dare....

Happy Birthday to Aletta

Aletta: Enjoy your special day!

Lemonade for Country Picnic Birthdays

Happy Birthday Aletta!
No Australian picnic is complete
without fresh home-made
lemonade on a hot day,
so here it is, ready to go.
copyright Monika Roleff 2006.

Fairy Bread for the Picnic

I have brought Fairy Bread for Aletta's
Birthday Picnic. Can we play party
games as well?

Thursday, January 05, 2006

I Have The Birthday Cake

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I have the cake on my bicycle and am headed towards the Enchanted Wood and the Faraway Tree ready to celebrate Aletta's 52nd birthday. Perhaps the Land of Birthdays will be at the top of the tree. But first Dame Washalot will have to give us a scrub in her big tub. Could everyone bring something else to eat so we can have a party. We may call in at Nina's Treehouse on the way or drop in at Luna's Tea House for tea. So many places to be!

Old Wisdom - Nature Ancestral Tracks

Coming to the Golden Grove I noticed the grass had
turned golden, the summer grass, that almost glows.
Ancient Monterey pines stretch out in rows and
forests, among the poplars, elms and hedgerows.
Then I realised everything was allright as it was,
that where I was had its own intelligence, one
that is not always understood by humans.
A little way further on the path, a water fowl
with her young were making their crossing. Sensing people
nearby, she quickly fled with her babies, hiding them in the
tall, golden grasses. She stood guard herself, playing dead.
The water fowl had nothing to fear from me, and she
was beautiful, young and brown, with a sheen of
peacock coloured feathers. She was going on instinct.
Then I moved away and she flew off, as if she expected me
to chase her, which I didn't do, and then raced away from
her babies. A companion on the road said she was
acting as a decoy. Clever. The confusion about her
seeing a nature-loving human as a threat disappointed me.
Why do they have to fear humans so much? And who says
ducks are dumb? I just thought she was beautiful
and felt very proud of her. No doubt this worked with
foxes, where she would make herself a decoy and then
fly off, once the fox was diverted away from the babies, and then
immediately circles back to the grasses back to them.
(You can see her here, far right on the road, although very slightly, because she
wouldn't let me close. The babies are parallel left of me, completely invisible in the golden grasses,
as I take the picture, so she is far away.)

copyright Monika Roleff 2006.

DESERT ROSE - For Megan

DESERT ROSE - For Megan

Wednesday, January 04, 2006

Arriving at the Grove

I have arrived in the Enchanted Grove after a meandering journey through the forest. I enjoy walking through paths in the woods, as long as mosquitoes leave me be. This walk was a peaceful one without swatting or stings.

When I first started out along the path, I thought the almost hissing sound was from the damp, fall leaves beneath my feet. They had only the slightest crunch remaining. Being a little slick after last night's rain, I had to be careful not to slip.

Starting to feel as if I was being watched, I stopped and listened carefully. The hissing sound continued for a brief moment even when I wasn't walking. Then all was quiet again. Finding a log nearby, I sat down to watch and listen in hopes of catching a glimpse of the creature causing the hissing sound. It took several long moments, and I almost gave up, but then I saw it. First it was just the wiggle of a blade of grass I saw out of the corner of my eye. Then I heard a soft crunch, almost imperceptable if I hadn't been listening hard. I gasped when I saw a little piece of purple fabric moving in the grass.

Training my eyes on the purple spot, I followed it until it reached a tree and disappeared. Then I noticed an orange spot following the same path and ending at the base of the same tree. Forever the curious one, I went to investigate.

Walking round the opposite side of the tree, I saw a tiny opening where an animal like a chipmunk or vole could pass through to get to a nest below ground. But I had a feeling this opening led beneath the tree, or possibly into its trunk.

With as little sound as possible, I crouched down and sat by the opening in hope to see a creature come out or go in. I knew it would take a while. If any of the creatures had seen me, they'd have to forget I was there. As the sun began to fade, I started to lose hope, but decided to do one thing in hopes of attracting the funny creatures of purple and orange. I started to sing. I don't know where the words came from. I just wanted to sing something that would tell the creatures that I was no threat...that they were safe with me. Perhaps the words came from the dreams I've had of singing trees, words I didn't remember consciously in my waking hours.

The sun so bright it sings to me
Its happy brightness orange be
Orange glows through out the land
Bring warmth and joy to heart and hand

The moon it sways in purple sky
Longing for a lullabye
I sing to moon and moon shines you see
Its gentle caress comforts me


Before I could begin another verse, a line of tiny beings marched from the entrance at the base of the tree and stood before me. There had to be at least twenty or more in a rainbow of colors. Each one was unique -- some with hair, some with none, some with pointed snoots, some with pointed years -- and each wore a different color within the spectrum of the rainbow.

After taking in the sight, I greeted them softly and gently. They smiled and bowed. I asked who they were and they chirped a musical sound I could not understand. I smiled and bowed. One, wearing a brilliant shade of fuscia, tugged on my pantleg. I wondered how long she had done this before I noticed. I reached out my open palm and she jumped on. I held her up to my eyes and memorized her curious beauty. She seemed to want to tell me something, so I held her up to my ear. There, her chirping song barely audible, was more understandable. I still don't know if she was singing English or if I merely understood her language when it was sung directly into my ear.
She sang:
We are the people of light
We bring you all colors of sight
From white to black, we shine so bright
Without us the world would be night.


A single tear of joy streamed down my cheek as I thanked Fuscia for bringing her color into the world. I realized there must be millions of these light beings, all a different shade. And if one should die, we would lose their color forever. I thanked them all for bringing so much color to my world before I said goodbye. I promised I would come back and visit again another time and that I would protect them and their forest home.

Barren Land

Straight road
dividing the
now dry
salt lake
a field
of white
barren
‘cept for
salt bush.

Grey weathered
trees
long past
their prime
stripped of
any life
reach out
from mother
earth
like the
bony fingers
of the crone
reaching out
seeking sustenance
for her
barren land.

© Megan Warren 04/01/2006